Saturday, March 26, 2016

Back To Bandcamp: March 26, 2016

Pyre of Ash - Scattered Toward The Glens
(https://pyreofash.bandcamp.com/album/scattered-toward-the-glens)

It's too soon to fully understand what the legacy of maximalist post-black metal à la Panopticon will be for the genre, but the dynamism of projects like Pyre of Ash gives me a lot of hope. Pyre of Ash layers unrelenting riffs and drums, melancholy synths and strings, and visceral, emotional screams on "Scattered Toward The Glens," creating a sound that's both atmospheric and deeply personal. The subject matter, the death of a father, is perfectly complimented by the song's bleak melodies and sense of isolation. It's really a shame this release is just one song, because Pyre of Ash can clearly craft excellent and evocative post-black soundscapes and I'd love to hear more from him.

Highly Recommended.

Moonspawn - Parasite Dimension
(https://moonspawn.bandcamp.com/album/parasite-dimension)

Poland has been at the top of the black metal world for the past year or so, with great releases from bands like Batushka, Blaze of Perdition, Outre, and Mgła, and when a scene thrives at the top, that creativity and energy tends to trickle down into the underground ranks. Moonspawn was formed in the middle of the Polish black metal Renaissance, but the band doesn't seem interested in aping the dynamic, crisp style of the movement's big names. Instead, Moonspawn crafts walls of dissonant darkness with a slightly industrial flavor. There's a clear Burzum influence here, with synth lines occasionally piercing through the cacophony to form a melody. The riffs are simple, noisy, and repetitive. but work with the band's loud and raw style. "V," the longest track on the album, is one of the strongest, highlighting the best elements of the band.

Recommended.

I'll hopefully have a new full-length review coming out in the next couple days. Also, I'll be embedding tracks with reviews from now on so you can judge the music for yourself.

Saturday, March 19, 2016

Back To Bandcamp: March 19, 2016


Sanguine Relic - III - The Vampyre Weeps In Secrecy Of The Night

(https://defiledlight.bandcamp.com/album/iii-the-vampyre-weeps-in-secrecy-of-the-night)

Despite a few definite misses (see my review of Atel/Bastard of Majesty Sin's split), Defiled Light have a solid record of mysterious, atmospheric lofi black metal releases with indistinguishable cover art. Sanguine Relic, an anonymous black metal project from some unknown location with a vampire obsession (all good signs), are behind the label's latest release, III - The Vampyre Weeps In Secrecy Of The Night, a collection of simple, lofi, chaotic black metal tunes. The material point: if you like the rest of Defiled Light's catalog, you'll probably like Sanguine Relic's latest release as well. The noted standout of III's otherwise numeral tracklisting is a cover of "The Anchor Song," the closer of Bjork's Debut. The barely-recognizable re-imagining transforms the warm saxophone melodies of the original into chilling black metal tremolo riffs. It's a highly unintuitive cover that nonetheless incorporates Sanguine Relic's strongest elements: jagged howls, traditional black metal minimalism, and a touch of the experimental.

Recommended.

Heretic Rites - In Satan's Claws
(https://hereticrites.bandcamp.com/album/in-satans-claws)

Considering "Ratkovo" is about the most metal-sounding name for a city I've ever heard, it's no surprise these Serbian doom-rockers know what they're about. Heretic Rites, perhaps best described as Uncle Acid's pentagram-obsessed brother-in-law, have great riffs, creepy vocal melodies, and a raw production aesthetic—the perfect formula for occult metal. There's also plenty of variety in the band's songwriting: "Boot Knife Sacrifice" and "Return to the Castle" break up their plodding doom with passages of old-school heavy metal speed, while "Holy Place" combines the band's creepy aesthetic with up-tempo hard rock. In a market increasingly overcrowded with indifferent Ghost and Uncle Acid knockoffs, don't miss this trio of Serbians that do occult rock right.

Highly Recommended.

Black Mantra - From The Grave of Madness
(https://black-mantra.bandcamp.com/album/from-the-graves-of-madness-ep)

Typical stoner-doom bands build their songs around enormous, filthy riffs and leave the other instruments to unobtrusively fill up the remaining space. It's pure guitar music through and through—the unabashed worship of the distorted riffs to which all other instrumentation, including the vocals, must submit. Brazil's Black Mantra, by contrast, presents a fascinating inversion of stoner/doom minimalism, with the band's guitars merely undergirding a cacophony of organs and electric keyboards. Not that Black Mantra can't do a big, tasty riff—"Stillborn" and "The Left-Handed" certainly prove that they can—but the spooky doom act focuses instead on gothic atmospheres, a kitschy B-movie aesthetic, and the slow, creepy melodies that some metal fans call "processional." Imagine if the hippie cultists of Menace Ruine exhumed and reanimated Peter Steele as their new frontman and you'll get an idea of what Black Mantra are doing here—deep, vampiric vocals and all.

Highly Recommended.

Saturday, March 12, 2016

Back to Bandcamp: March 12, 2016


The North Gate - Center of Homes
(https://thenorthgate.bandcamp.com/album/center-of-homes)

The North Gate are a difficult band to define. They tie together elements of black, death, doom, and hardcore punk, without letting any individual element become their defining aspect. At times, the band feels like a heavier metalcore band—at others, a blackened sludge project. "Filthy Garments," for instance, opens with a black or death metal riff before transitioning into a sludgey bridge and ultimately ending with a dark acoustic passage. The only uniting features of the record, besides the general heaviness, are the prominent doomy basslines and raw, aggressive, punk-inspired vocals—both strong suites of the band. An interesting, if very short (and a little messy) debut from this New York band.

Recommended.

Necrolytic Goat Converter - Demo MMXVI
(https://necrogoatconverter.bandcamp.com/album/demo-mmxvi)

New York has no right to this many great metal artists. This one-man black metal debut has in spades what most releases by scene veterans lack entirely—tight songwriting, catchy riffs, and robust production. Tracks like "Absolution" and "Second Skin" highlight Necrolytic Goat Converter's straighforward and melodic take on black metal, reminiscent of Tribulation's most recent album in the best possible way. This is a true bedroom black metal album—recorded on a single guitar and produced in Garageband—but the drum arrangements are varied and tasteful and C. Voss avoids all the typical self-producing pitfalls, neither smothering the vocals in distortion nor drowning the guitars in reverb. A great debut from a great musician.

Highly Recommended.

Tuesday, March 8, 2016

The Thurible Presents: The Griminine Mystique


"Why aren't there any women making metal?"

It's funny how often that question gets asked, considering the (always growing) number of amazing female artists making everything from drone to doom to black to death metal. If you really want to see more women making (and listening to) metal, then support these great artists (signed and unsigned) that are already doing it:

Acid King: https://acidking.bandcamp.com/releases

A classic doom/stoner metal act featuring Lori S. on vox and lead guitars. Busse Woods is my favorite of their records.

Turia: https://montturia.bandcamp.com/releases

A newer atmospheric black metal band from Denmark featuring the mysterious "T" on vocals. Their debut is free on bandcamp.

False: https://gileadmedia.bandcamp.com/album/untitled-2015

False, a scary black metal banded front by one "Rachel." Her voice is terrifying, and False's Untitled was one of the best black metal albums of last year.

Wolvserpent: https://wolvserpent.bandcamp.com/

Brittany McConnell is one half of this experimental doom/drone duo. They just released a new EP you should definitely check out.

Dark Castle: https://darkcastlemetal.bandcamp.com/music

Stevie Floyd (pictured center) plays guitars and shrieks in this excellent doom duo. Spirited Migration remains one of my favorite metal albums ever.

Menace Ruine: https://menaceruine.bandcamp.com/

This band actually sounds like a weird hippy cult. Geneviève's spooky singing and sinister songwriting are mostly to blame.

Myrkur: https://myrkur.bandcamp.com/

What's left to say? Amalie Bruun makes beautiful black metal, and anyone too kvlt for Myrkur can go lick Varg Vikernes' goatee. Seriously, go do it. I'll wait.

Blood Ceremony: http://www.metalblade.com/us/artists/blood-ceremony/

Alia O'Brien plays the flute in Blood Ceremony when she isn't singing. You shouldn't need any more information about this doom rock band to know they're something special.

Vile Creature: https://vilecreature.bandcamp.com/releases

Vic is one-half of this filthy Canadian duo that put the "Sludge" in "SJW."

I'm very proud of that joke.

Coldnight: https://dir666.bandcamp.com/album/waterfall-of-suicides

When people go on r/blackmetal asking about "depressive black metal with female vocals," they're looking for this solo project by plaintive shrieker (and, incidentally, pretty decent logo artist) Hypothermia.

Windhand: https://windhandva.bandcamp.com/

Dorthia Cottrell (pictured left) is probably the best doom singer in the world right now. I can't recommend Windhand highly enough.

Mire of Despondency: https://omenovtorment.bandcamp.com/album/december-winds-and-luciferian-mists

Young Pennsylvania artist Nokturnus is behind this atmospheric black metal project. I like it a lot more than my two reviews make it seem.

Oceans of Slumber: http://oceansofslumber.com/

This progressive band is fronted by Cammie Gilbert (pictured right), one of the only black singers in the metal scene. Her excellent vocal performances make this band.

Cairiss: https://cairiss.bandcamp.com/track/disgraced-demo

They're still only one song in, but Southhampton's Cairiss have already made significant waves in the post-black metal world, mainly because of singer Freya's amazing vocal performance.

Electric Wizard: http://www.electricfuckinwizard.com/

Electric Wizard is THE stoner metal band. Liz Buckingham joined her husband, Jus Osborn, in the band and helped save it from near-extinction in 2003. They've been going strong ever since.

Nachtlieder: https://nachtlieder.bandcamp.com/

True Scandinavian black metal without gimmicks or frills, composed and performed by Dagny Susanne. Her latest album, The Female of the Species, has been criminally overlooked by black metal critics and fans alike.

Happy International Women's Day from The Great Thurible of Darkness!

(Yeah, I didn't include Nightwish, Within Temptation, or Arch Enemy. There's no shortage of people buying their records already. Also: I hope to be back with another installment of Back to Bandcamp on the 9th or 10th. See you then.)